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</script><h1>Anthoni van Noordt</h1><div class="hd"><a href="http://fr.instr.scorser.com/C/Tous/Anthoni+van+Noordt/Tous/Alphabeticly.html">Tous Compositions</a></div><div class="clear10"></div><h2>Compositions pour: Physharmonica</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://fr.wikipedia.org/wiki/Anthoni_van_Noordt">Wikipedia</a><div class="p">Anthoni van Noordt, né à Amsterdam vers 1619, inhumé dans la même ville le 23 mars 1675, est un organiste et compositeur néerlandais.</div><div class="p">Il est considéré comme le plus illustre membre d’une dynastie de musiciens amstellodamois et aussi le plus grand maître hollandais de l’école de <a href="http://fr.instr.scorser.com/C/Physharmonica/Jan+Pieterszoon+Sweelinck/Tous/Popularity.html">Sweelinck</a>. Son frère, Jacobus van Noordt (v. 1616-1680), fut organiste et carillonneur de la Oude Kerk à Amsterdam.</div><div class="p">Anthoni devient organiste de la Nieuwezijds Kapel en 1652; ensuite, il occupe un poste plus important à la Nieuwe Kerk de 1664 à 1673.</div><div class="p">Il publie un recueil de 16 pièces pour orgue (ou clavecin) : Tabulatuur-boeck van psalmen en fantasyen (Amsterdam : W. van Beaumont, 1659), qui comporte des variations sur des mélodies de psaumes et six fantaisies de style polyphonique. Ces pièces «présentent l’art du contrepoint le plus achevé et le plus puissant de la musique d’orgue du XVII siècle. » (Marc Honegger).</div><div class="p">Textes de Clément Marot et Théodore de Bèze.</div></body></html>